Showing posts with label Weird Tales at the Holidays. Show all posts
Showing posts with label Weird Tales at the Holidays. Show all posts

Sunday, April 5, 2026

Rocketships & Holidays

It has been a long time since I posted twice in one day, but it occurs to me . . .

Today, Easter Sunday, April 5, 2026, we have a spacecraft on its way to a trip around the Moon. Today, one of our astronauts, mission pilot Victor Glover, gave an impromptu message for people on Earth. Among his words:

I think, as we go into Easter Sunday, thinking about all the cultures all around the world, whether you celebrate it or not, whether you believe in God or not, this is an opportunity for us to remember where we are, who we are, and that we are the same thing, and that we've gotta get through this together.

Nearly sixty years ago, on Christmas Eve, December 24, 1968, the Apollo astronauts, Bill Anders, Jim Lovell, and Frank Borman, were also on their way to a circumlunar flight. In a live television broadcast, they read from the Book of Genesis, beginning with the words:

In the beginning God created the heaven and the earth.

Both spacecraft were named for Greek gods. Even so, their astronauts named only God.

There was war then and there is war now. But there will be peace, if only people will turn towards it and the Creator of all things.

Original text copyright 2026 Terence E. Hanley

Happy Easter 2026!

Metropolitan Magazine, Special Easter Number, April 1906,
with cover art by Jules Guerin (1866-1946).
Happy Easter
from Tellers of Weird Tales!

Terence E. Hanley, 2026.

Wednesday, December 24, 2025

Merry Christmas!

Galaxy Science Fiction, January 1956, with cover art by Emsh. We might think that January 1956 was too late for a Christmas cover, but I believe this issue would have been on the newsstand in December 1955 and so not too late after all. Science fiction asks the question What if? Well, Ed Emshwiller answered the question What if Santa Claus had to deliver Christmas presents to the stars and planets? in this clever cover illustration. Included in the cleverness is the artist's use of his signature as the name of the author of How To Manage Reindeer in Space. By the way, Emshwiller was born in 1925, and so we can add his name to the list of those for whom 2025 is the centennial of their arrivals upon Earth. As for the date in this illustration, it looks like December 2055, so one hundred years after Christmas 1955. Unfortunately, the artist was off by one day, for, according to an online future calendar created by Seattle Pacific University, Christmas 2055 will be on a Saturday rather than on a Friday. That's a meaningless quibble. But next year, in 2026, Christmas will in fact fall on a Friday. Before then, I will wish everyone a Merry Christmas!

Caption copyright 2025 Terence E. Hanley

Thursday, November 27, 2025

Happy Thanksgiving, 2025!

Art by Albert Dodd Blashfield (1860-1920). The Internet seems not to have noticed yet that Blashfield was the younger brother of painter and muralist Edwin Howland Blashfield (1848-1936).

Terence E. Hanley, 2025.

Friday, April 18, 2025

Crosses on the Cover of Weird Tales

Today is Good Friday, representing the day on which Jesus Christ died upon the Cross. Weird Tales was of course a popular and secular magazine, although I would guess that most of its writers were either Christians or Jews, or nominally so.* I'm sure there were some atheists in there, too. Even so, "The Unique Magazine" published stories that have a religious background, or they contain references to religion and faith, or some of their characters are believers in God. Six years ago, I wrote about Easter stories, of which there were at least three in Weird Tales. You can read what I wrote by clicking here. If anyone finds more Easter stories, I would be happy to hear about them.

I have found crosses on six covers of Weird Tales. Most of these are incidental to the picture. Three are of crosses as headstones or parts of headstones. The first illustration below, created by Hugh Rankin, shows men who look like Crusaders, but the crosses on their surcoats appear to be upside down. And they are looking to a cross upon which a bat is hung. So even though this looks like it could be a Christian scene, it's not. It's actually an inversion and corruption of Christianity. Reading the story confirms as much. The third picture below, by C.C. Senf, is a picture of torture or punishment. It sure looks like the red-robed cultists are affixing a woman to a cross.

Regarding the second picture below, illustrating "A  Million Years After" by Katherine Metcalf Roof, I am reminded of something I noticed several years ago in the comics page. It used to be that in the comic strip Beetle Bailey, drawn by the late, great Mort Walker, any long view of Camp Swampy would show the camp church or chapel with a cross on top. That's what churches are like. But then, after Mr. Walker died, an editor must have gotten ahold of the strip--an editor who must think of crosses as being exclusive or offensive, I guess--because the cross disappeared. There was and still is a chaplain, Chaplain Stainglass, but he appears to be a preacher without portfolio, for the Cross is the symbol of his Christian faith and now it's gone from his chapel. What a ridiculous and insulting thing for the people behind Beetle Bailey to do. How stupid and petty. But we should remember that there have always been and always will be anti-Christian people, ideas, and actions--until there aren't anymore. Anyway, Happy Easter to Everyone, even if you don't believe in anything.

-----

*One of those writers was a Christian minister, Reverend Henry S. Whitehead (1882-1932).

Weird Tales, December 1928, with cover art by Hugh Rankin. Cover story: "The Chapel of Mystic Horror," a Jules de Grandin story by Seabury Quinn.

Weird Tales, November 1930, with cover art by C.C. Senf. Cover story: "A Million Years After" by Katherine Metcalf Roof.
Weird Tales, February 1932, with cover art by J. Allen St. John. Cover story: "The Devil's Bride" by Seabury Quinn.

Weird Tales, April 1939, with cover art by Virgil Finlay. Cover story: "Susette" by Seabury Quinn.

Weird Tales, May 1946, with cover art by Ronald Clyne. Cover story: "The Valley of the Gods" by Edmond Hamilton.

Weird Tales, January 1952, with cover art by Jon Arfstrom. I talked to Jon Arfstrom at PulpFest, in Columbus, Ohio, in the last year of his life. He said that this was a portfolio piece that he submitted to Weird Tales. The editor decided to run it as a cover, but the proportions were off, and so a green shape was added to the top of Mr. Arfstrom's illustration and the main title logo placed over the top of it. The cover text reads "The Black Island" by August Derleth, but I can't say that Derleth's is the cover story.

Text copyright 2025 Terence E. Hanley

Tuesday, December 31, 2024

Happy New Year!

Happy New Year!
From The Parisienne Monthly Magazine, January 1916.

Terence E. Hanley December 31, 2024-January 1, 2025

Tuesday, December 24, 2024

Merry Christmas!

Merry Christmas from

Tellers of Weird Tales!

From The Century Magazine, December 1916, back cover art by Canadian-American artist Norman Mills Price (1877-1951). There may be product placement in this illustration--look for a container of Baker's Cocoa in the young woman's basket--but at least we have a break from the mostly dreary and unhappy contents of the Cosmic Horror Issue of Weird Tales.

Terence E. Hanley, December 24-26, 2024.

Thursday, November 28, 2024

Happy Thanksgiving!

 Happy Thanksgiving

from Tellers of Weird Tales!

Wild West Weekly, November 26, 1930. The cover artist is unknown. I have this image from a blog called Rough Edges, conducted by James Reasoner. He got it from The FictionMags Index, which is the work of Phil Stephenson-Payne. Thanks to both.

2024 Terence E. Hanley

Friday, March 17, 2023

Detective John O'Keefe (?-?)

On the evening of September 26, 1913, Henry C. "Harry" Spencer, born Jindred Shortna, murdered tango dancer Mildred Allison Rexroat as they walked along a set of railroad tracks in DuPage County, west of Chicago, Illinois. Spencer shot her in the head with his revolver. If that had failed, Spencer had planned to beat her to death with a hammer he had staged at the scene. A week later, two local men were searching the area when they found the hammer. They also found nearby a card with the name "Anthony Melville Rud" printed on it. Anthony M. Rud (1893-1942) was in no way connected to the murder. At the time he was just an innocent medical student. Rud would go on to write pulp-fiction stories, including a series of stories about a detective called Jigger Masters.

One of the men who investigated the murder of Mildred Rexroat was Detective John O'Keefe of the Chicago police department. Below is a photograph of O'Keefe and a fellow detective, named Trant, escorting Harry Spencer after having interrogated him for the murder. O'Keefe is on the left, Spencer in the middle, and Detective Trant on the right. You can see that their names are written on the image, though in reverse.

Henry C. "Harry" Spencer (center), born Jindred Shortna in 1877, is shown here leaving an interrogation session, escorted by detectives Trant (right) and John O'Keefe (left). The date is October 21, 1913. This photograph was published in the Chicago Daily News and is now in the negatives collection of the Chicago Historical Society. Spencer was soon hanged for the murder of Mildred Allison Rexroat (Jan. 1876-Sept. 26, 1913).

Nine years after the murder, two business partners, J.C. Henneberger and John M. Lansinger, began publishing a pulp magazine called Detective Tales. The first issue was dated October 1, 1922. Henneberger and Lansinger's company was called Rural Publishing Corporation. In March 1923, they put out a second pulp title, Weird Tales. Edwin Baird was the editor of both magazines.

The first cover story of Weird Tales was entitled "Ooze" and was written by Anthony M. Rud. Rud had two more stories in the second issue of Weird Tales, April 1923, one under his own name, the other under a pen name, Ray McGillivray. He also had a letter in each of the first two issues. What's missing from accounts of Rud's writing career in regards to Weird Tales is that he also had a story--a two-part serial--in Detective Tales. The title of it is "The Scarred Men." The first part was the cover story of Detective Tales for May/June 1923. The second part appeared in the July/August issue.

Detective Tales, May/June 1923. Cover story: "The Scarred Men" by Anthony M. Rud. Cover art by an unknown artist, possibly or probably William F. Heitman, who was also busy creating covers for Weird Tales at that time. In fact, the covers of the May and June issues of "The Unique Magazine" were his work. If this were a Weird Tales cover, it would go into the category of "Red Robes and Cultists."

Detective John O'Keefe also contributed to Detective Tales. Was he the same O'Keefe who had, a decade before, investigated the Tango Dancer Murder Case? I don't know for sure, but I assume that he was. Did he and Anthony Rud know each other? Again, I don't know. They would have had a chance to meet in 1913. And could they have been connected somehow through their writing? Once again, I don't know, but both wrote for Detective Tales. Whatever might have happened, I find their both being connected to the case of 1913 and their both writing for the same magazine to be an interesting coincidence.

Anyway, Detective O'Keefe conducted a regular column or department called "Fingerprints" in Detective Tales and its successors, Real Detective Tales and Real Detective Tales and Mystery Stories. I don't know when it began and when it ended, but the installment of June/July 1927 is Number 39 in the series. Everything I have for O'Keefe when it comes to his credits is from The FictionMags Index, as is the cover image above. As always, I'm greatly indebted to the Index, an invaluable resource for anyone conducting research on popular fiction in America.

"Fingerprints" by Detective John O'Keefe

Detective Tales

  • March 1923
  • July/August 1923
  • February 1924

Real Detective Tales

  • May 1924
  • June 1924

Real Detective Tales and Mystery Stories

  • February 1925
  • March 1925
  • April 1925
  • May 1925
  • July 1925
  • August/September 1925
  • December 1925/January 1926
  • February/March 1926
  • April/May 1926
  • June/July 1926
  • August/September 1926
  • October 1926
  • December 1926/January 1927
  • February 1927
  • March 1927
  • June/July 1927 ("Fingerprints, No. 39 Are Fingerprints Ever Alike?")
  • August 1927
  • September 1927
  • December 1927
  • January 1928
  • February 1928
  • March 1928
  • April 1928
  • May 1928
  • July/August 1928
  • October 1928
  • November 1928
These are his known credits. I'm certain there are more of his columns hiding in the pages of these three titles.

Unfortunately, I don't have any biographical or genealogical information on John O'Keefe, who had a fairly common name. Welcome to the world of Irish genealogy, where all of the men are named John, Michael, or William. I have a candidate, though. He was John O'Keefe, born in or about 1873 in Ireland, and a police officer with the Chicago police department. He was married to Agnes Quinn O'Keefe. They had a daughter, but this John O'Keefe did not live long enough to see her marry, for he died on March 27, 1933, in Chicago, ninety years ago this month.

I have written before about Detective O'Keefe, Anthony Rud, and Mildred Rexroat in "Anthony Rud and the Tango Dancer Murder-Part Two," posted on February 4, 2016, here.

Further Reading
"Interesting Questions Answered: Read This Interesting Correspondence Between Detective John O'Keefe, F.P.E. and Kennie MacDowd, Layman" in Finger Print Magazine, June 1928, pages 16-18.

Wearing green and sporting red hair, she wishes you a

Happy St. Patrick's Day!

Text copyright 2023 Terence E. Hanley

Friday, December 24, 2021

Merry Christmas!

May Your Holiday Dreams

Take Flight!

Merry Christmas from

Tellers of Weird Tales!

Wednesday, November 24, 2021

Sunday, April 4, 2021

Happy Easter!

Happy Easter from Tellers of Weird Tales!
 

(The only Easter-themed pulp cover I could find.)

Terence E. Hanley, 2021, 2023.

Wednesday, November 25, 2020

Happy Thanksgiving!

I have been writing about some not very happy things, including 1984, one of the most depressing and dispiriting books I have ever read. That's not quite right for Thanksgiving week, so I'll put it on pause. I have a little more on the topic, including at least one more quote, but that can all wait until next week.

* * *

I read the words of a writer on the Internet who wrote that he has over 46,000 unopened--or maybe it's unanswered--emails in his inbox. I don't feel so bad now. I have email messages, comments, cards, letters, and other things that have gone into limbo. They have been there for weeks and months, some for years. This isn't a good way to be.

If you read my lone entry from last month, you know that things have suddenly changed a lot for me and my family. Our situation from the last five years, which culminated in the death of our dad in August of this year, hasn't quite reached its end, but there has come an unavoidable and irreversible turning in our lives. As some of you know and the rest can imagine, this is a really hard thing to go through. I and we--suddenly orphans, all of us--are struggling every day. But not everything is so bad or so difficult. There are some positives in our lives and in the way things are turning. In any case, life goes on. My friend and his wife had a baby this month, for example, and life goes on. I hope that there will soon be a turning in our whole country, too, and that this will mean we can all go back to living lives again instead of the half-lives--or less--that we have been enduring in this sad, lonely, bizarre, and utterly stupid year.

* * *

Despite everything that has happened this year, we have so much for which we can be thankful. I am thankful for many things, large and small. I am thankful for whatever gifts I might have received in my abilities to think about, research, and write about the things that you read and see here. I am thankful, too, for the chance I have in this digital age to do the things that I have always wanted to do--to write, draw, and publish what I write and draw, all on my own and at little or no cost--things I might not have been able to do so easily in previous ages. I thank everyone who reads this blog and who keeps coming back to it, for whatever reason, whether for enjoyment or edification, or even if it's to find something about which to be angry, offended, or infuriated. You are welcome here as well as anyone. I want to say thank you to the people who have written to me, either on this blog or directly by email, in sympathy, support, and understanding, since I came back at the end of September. I will write back to thank you personally. I especially thank Randal A. Everts, who has been generous and supportive in offering information, photographs, and corrections from his vast trove of research, stored in "The Vaults of Yoh-Vombis."

* * *

The American project began as an adventure, an escape from oppression, and a vision and ambition to found a place in which we and our posterity might live out and enjoy our lives in freedom. We haven't always done very well in all of that, but if there are arcs in history, the arc in ours is towards greater freedom, justice, and prosperity. Sometimes there is a drawing back, but always there is a going forward again, towards the goals and ideals of our founding. These are too big, I think, for any small person or group of people to overcome, let alone to defeat. It hasn't happened before, and it isn't going to happen now. Our country is built upon a rock, deeper, greater, and more solid than the one upon which the Pilgrims disembarked--an event that was at once, I guess, apocryphal and symbolic--400 years ago next month. No one is going to dislodge the rock or break it up, I'm convinced of that, and our nation will go on. We will not only survive the current hard times but come to thrive and prosper again. I'm convinced of that, too. And so I wish everyone life, freedom, and prosperity, and I say:

Happy Thanksgiving, America!

Weird Tales, October 1930, with cover art by Hugh Rankin. This is an October cover so not quite right for Thanksgiving, but it has autumn leaves in bright colors. Just ignore the knife. 

Copyright 2020, 2023 Terence E. Hanley

Monday, April 29, 2019

Easter Stories

The holiday is past us. Now people all over the world will have to wait until next year to worship Easter again. Hopefully their holy colored eggs and sacred chocolate bunnies will last for a while. In the meantime, there has been an attack on Passover worshippers in California. It happened on the seventh day of the holiday that they worship, about forty-eight hours after the New York Times published a cartoon showing the current prime minister of Israel as a dog leading our current president--depicted as a blind man wearing a yarmulke--wherever he pleases, I guess. And he's not just any dog. He's a dachshund. You know, a German dog. Isn't that so funny? Isn't the New York Times just the greatest? The really funny part will come when they try to condemn Jew-hatred after having perpetrated it in their own pages.

In all seriousness, the root of the problem before us is not so much that there are barbarians at the gates as that there are those inside the gates who wish to fling them open to allow the barbarians in. I suppose the reason is that the barbarians will do what the enemy already inside the gates wishes to be done, namely, lay waste to this city called Civilization. Only then might Utopia be built upon its ruins. The shooters and the bombers are without a doubt monsters, but the philosophers, inspirers, and facilitators of and apologists for mass murder may be more monstrous still and an even greater danger to all of us. A Jewish woman in California gave her life saving a life on the last day of Passover. More than two hundred Christians died in Sri Lanka on Easter Sunday. I would wager that the faith of no one is shaken by these things. It is likely only strengthened. The enemies that we have with us inside the City should know that, and they should know also that--despite any power, prestige, status, or fame they might have attained--they cannot win and that their grand ideas and schemes will be the ones to perish.

* * *

It's a little late for this year, but here's a list of weird fiction and fantasy stories with themes of Crucifixion and Resurrection. This list is by no means complete. Feel free to add to it in the comments section below.

  • "Eloi Eloi Lama Sabachthani" by William Hope Hodgson, originally entitled "The Baumoff Explosive" and published (posthumously) in Nash's Illustrated Weekly for September 20, 1919. Reprinted in Weird Tales, Fall 1973. I should warn you that this is a muddled story and one that relies in part on the obsolete notion of the ether, published in the same year in which Albert Einstein's General Theory of Relativity was validated by the observation by astronomers of the bending of light waves during a solar eclipse. That was a century ago, in a seminal year and by Paul Johnson's estimation the beginning of the twentieth century.
  • "When the Graves Were Opened" by Arthur J. Burks, published in Weird Tales, December 1925. Reprinted in Weird Tales, September 1937. An unusual story of faith and time travel and one that attempts to puncture materialism by an encounter with the supernatural.
  • "Roads" by Seabury Quinn, published in Weird Tales, January 1938. The fourth most popular story, as judged by readers, in the period 1924-1940. "Roads" is also a Christmas story and a Viking story. If you haven't read it, I urge you to. Remember when it was published, too, in the last full calendar year before war began again in Europe.
  • The Master and Margarita by Mikhail Bulgakov, written in 1928-1940, published in an English (American) edition in 1967 by Signet. An extraordinary work from a Russian author who labored away under sickness and Stalinism but who continued to love and to hope.

Updated on October 31, 2022.
Copyright 2019, 2023 Terence E. Hanley