[Jeff VanderMeer]: Do you believe in the existence of Evil?
[Steph Swainston]: Certainly not. 'Evil' is just a strong word for something you don't like.
My dear Wormwood,
I wonder you should ask me whether it is essential to keep the patient [i.e., the human being on whom Wormwood is working] in ignorance of your own existence. That question, at least for the present phase of the struggle, has been answered for us by the High Command. Our policy, for the moment, is to conceal ourselves. Of course this has not always been so. We are really faced with a cruel dilemma. When the humans disbelieve in our existence we lose all the pleasing results of direct terrorism and we make no magicians. On the other hand, when they believe in us, we cannot make them materialists and sceptics. At least, not yet. I have great hopes that we shall learn in due time how to emotionalise and mythologise their science to such an extent that what is, in effect, a belief in us, (though not under that name) will creep in while the human mind remains closed to belief in the Enemy [i.e., God]. The "Life Force," the worship of sex, and some aspects of Psychoanalysis, may here prove useful. If once we can produce our perfect work--the Materialist Magician, the man, not using, but veritably worshipping, what he vaguely calls "Forces" while denying the existence of "spirits"--then the end of the war will be in sight. But in the meantime we must obey our orders. I do not think you will have much difficulty in keeping the patient in the dark. The fact that "devils" are predominantly comic figures in the modern imagination will help you. If any faint suspicion of your existence begins to arise in his mind, suggest to him a picture of something in red tights, and persuade him that since he cannot believe in that (it is an old textbook method of confusing them) he therefore cannot believe in you.
In emphasis:
Our policy, for the moment, is to conceal ourselves.
If once we can produce our perfect work--the Materialist Magician, the man, not using, but veritably worshipping, what he vaguely calls "Forces" while denying the existence of "spirits"--then the end of the war will be in sight.
If any faint suspicion of your existence begins to arise in his mind, suggest to him a picture of something in red tights, and persuade him that since he cannot believe in that (it is an old textbook method of confusing them) he therefore cannot believe in you.
There are two equal and opposite errors into which our race [i.e., the human race] can fall about the devils. One is to disbelieve in their existence. The other is to believe, and to feel an excessive and unhealthy interest in them. They themselves are equally pleased by both errors and hail a materialist or a magician with the same delight.
Baudelaire, that old flower of evil, was right: "The Devil's cleverest wile is to make men believe that he does not exist."
Baudelaire was of course Charles Baudelaire, the French poet and a composer of weird poems. I feel certain that Baudelaire had merely put into words an age-old insight among men.
Anything old, and for that matter anything beautiful, was always vaguely suspect.
--1984 by George Orwell (Ch. 8)
The first thing that must strike any outside observer is that Socialism, in its developed form is a theory confined entirely to the middle classes. The typical Socialist is not, as tremulous old ladies imagine, a ferocious-looking working man with greasy overalls and a raucous voice. He is either a youthful snob-Bolshevik who in five years' time will quite probably have made a wealthy marriage and been converted to Roman Catholicism; or, still more typically, a prim little man with a white-collar job, usually a secret teetotaller and often with vegetarian leanings, with a history of Nonconformity behind him, and, above all, with a social position which he has no intention of forfeiting. This last type is surprisingly common in Socialist parties of every shade; it has perhaps been taken over en bloc from the old Liberal Party. In addition to this there is the horrible--the really disquieting--prevalence of cranks wherever Socialists are gathered together. One sometimes gets the impression that the mere words 'Socialism' and 'Communism' draw towards them with magnetic force every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, 'Nature Cure' quack, pacifist, and feminist in England.
To this you have got to add the ugly fact that most middle-class Socialists, while theoretically pining for a class-less society, cling like glue to their miserable fragments of social prestige. I remember my sensations of horror on first attending an I.L.P. branch meeting in London. (It might have been rather different in the North, where the bourgeoisie are less thickly scattered.) Are these mingy little beasts, I thought, the champions of the working class? For every person there, male and female, bore the worst stigmata of sniffish middle-class superiority.
Finally:
But is it? Sometimes I look at a Socialist--the intellectual, tract-writing type of Socialist, with his pullover, his fuzzy hair, and his Marxian quotation--and wonder what the devil his motive really is. It is often difficult to believe that it is a love of anybody, especially of the working class, from whom he is of all people the furthest removed. The underlying motive of many Socialists, I believe, is simply a hypertrophied sense of order. [. . .] The truth is that, to many people calling themselves Socialists, revolution does not mean a movement of the masses with which they hope to associate themselves; it means a set of reforms which 'we', the clever ones, are going to impose upon 'them', the Lower Orders. On the other hand, it would be a mistake to regard the book-trained Socialist as a bloodless creature entirely incapable of emotion. Though seldom giving much evidence of affection for the exploited, he is perfectly capable of displaying hatred--a sort of queer, theoretical, in vacua hatred--against the exploiters. Hence the grand old Socialist sport of denouncing the bourgeoisie. It is strange how easily almost any Socialist writer can lash himself into frenzies of rage against the class to which, by birth or by adoption, he himself invariably belongs.**
Now I will observe that China Miéville is one of the bourgeoisie--he, like his mother, is a writer and a teacher--and that he is related in one way or another to British barons, so in that way he is aristocrat-adjacent. The people who edit, publish, distribute, sell, and read his books are also of the bourgeoisie. As for Jeff VanderMeer, he, too, emanates from the middle class, as does probably every other supposedly liberal, leftist, socialist, Marxist, Labour- or Democrat- or Green-oriented, progressive, radical, or revolutionary writer, editor, academic, scholar, or critic, whether of "the New Weird" or not.
Silly.
-----
*Sacrifices made to Moloch are older still. Marxists and their fellow-travelers want those back, too. Abortion and infanticide are two examples. Transgenderism is another. Whitaker Chambers began to turn away from communism when the party demanded that his wife have an abortion, for it understood that if she were to have a child, he and she both would have loyalty to something other than the party. Marxists see the family as a threat to their belief system. They want only to destroy it. Marxism is, after all, a jealous god.
**I'm glad that George Orwell was a socialist, and that he was a Briton. If he had not been a socialist, socialists would have dismissed him as a reactionary. If he were alive today, they would cancel him, just as people on the left have tried to cancel J.K. Rowling, who is no conservative at all except that she understands that a man can't be a woman. And Britain needs Orwell more than we do. He can speak to the people of the United Kingdom as one of their countrymen. If he had been an American, they would easily have shut him out. They need to hear him, though, and heed the warnings that he provided them in his writings, especially in 1984 (1949), which was, as we know, not an instruction book.
By the way, earlier this year a British video game character named Amelia escaped from her creators to become a tempter of young men away from the State that wants to prevail over them. (If the society created by the overarching and controlling state is Eden, then let there be no Eve.) In that way, Amelia plays the same role as Julia in 1984, LUH 3417 in THX 1138 (1971), and I-330 in We (1924). There have since become German, Dutch, and other versions of Amelia. I wish them all success, even if they have faded from the news. (Stay tuned for more on Amelia, as well as Joy Division and Starship Troopers.)
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| A Signet edition of 1984 by George Orwell, with cover art by Alan Harmon. |
Original text copyright 2026 Terence E. Hanley

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