Sunday, November 5, 2023

Sunday Swipes No. 4

Not long ago, I found a series of European comic books called Chica. In an issue called Chica: A Horse Angel Special, from 2007, I saw a sequence that looked familiar:

I can't fairly call it a swipe, but the sequence shown above is very similar to the one shown below, by Frank Frazetta:

I have scanned this image from The Fantastic Art of Frank Frazetta, published by Bantam Books in 1975. That first Frazetta book is justly famous and well sought after. The uncredited artist on Chica may never have seen it, but it's pretty conceivable that he or she would have seen it and to have been inspired by it.

Text copyright 2023 Terence E. Hanley

Wednesday, November 1, 2023

Weird Tales, November 1923

There are seventeen stories in the November 1923 issue of Weird Tales, plus "The Eyrie," the second installment of the feature "Weird Crimes" by Seabury Quinn, and eleven uncredited non-fiction fillers. The cover art was by the as yet unidentified artist Washburn, his or her only cover for "The Unique Magazine." R.M. Mally. Once again, all of the interior art was by William F. Heitman (1878-1945).

  • "Draconda," part one of a six-part serial by John Martin Leahy (1886-1967), an artist and writer of Washington State. "Draconda" would prove to be one of the longest serials to appear in Weird Tales.
  • "The Crawling Death" by P. A. Connolly (dates unknown), according to The FictionMags Index, a revised version of "Crawling Hands," originally in The Thrill Book, May 15 and June 1, 1919.
  • "A Heroine of the Black Hole," non-fiction filler by an uncredited author.
  • "The Closed Room" by Maebelle McCalment (ca. 1878-1950) of Missouri.
  • "Girl, Gypsy All Her Life, Turns from Wilds," non-fiction filler by an uncredited author.
  • "Gas Bombs to Check Forest Fires," non-fiction filler by an uncredited author.
  • "Lucifer" by John D. Swain (1870-1952), a native New Englander.
  • "Wife Slayer Drives All Night with Body in Auto," non-fiction filler by an uncredited author.
  • "The Spider" by Arthur Edwards Chapman (1898-?).
  • "The Amazing Adventure of Joe Scranton," part two of a two-part serial by Effie W. Fifield (1857-1937) of Minnesota.
  • "The Iron Room" by Irish-Welsh-British author Francis D. Grierson (1888-1972), starring his series character Paul Pry, a London-based detective.
  • "World-Famed 'Blue Man' Dies," non-fiction filler by an uncredited author. The "blue man" of the title was Fred Walters, who was said to have worked in a silver mine in Australia. If he was poisoned with silver, then he had something in common with Evangeline Walton (1907-1996), a later teller of weird tales.
  • "The Wax Image," called "A Weird Chinese Story" and written by Burton Harcourt (dates unknown).
  • "'Devil's Grip' Spreading," non-fiction filler by an uncredited author.
  • "Poisoned" by Farnsworth Wright (1888-1940), his fifth and last story published under his own name in Weird Tales. Wright became editor of the magazine a year later, beginning with the November 1924 issue.
  • "New Mecca for Divorce Hunters," non-fiction filler by an uncredited author.
  • "British Missionaries Slain by Chinese Bandits," non-fiction filler by an uncredited author.
  • "The Magic Mirror" by Mary S. Brown (dates unknown).
  • "The Invisible Monster" by Sonia H. Greene (1883-1972) and an uncredited H. P. Lovecraft (1890-1937). The two had met in 1921. Four months after the publication of their short-story collaboration, on March 3, 1924, they were married in Manhattan.
  • "The Pebble Prophecy," a Halloween story by Valens Lapsley (dates unknown). I suspect that Valens Lapsley was a pseudonym. If I look for meaning, I see that Valens was the name of a Roman emperor. The word valens is from the Latin, meaning "strength" or "to be strong." In Spanish, valen means "to have value." If I look for the surname Lapsley, I find a woman named Mary Lapsley Caughey (1899-1964), who was a scholar, poet, teacher, translator, and novelist from Pennsylvania. Her two early short works, "Theocritus" and "The Priest and Pan," are on classical themes and subjects. After attending Sewickley Preparatory School, Vassar College, and Bryn Mawr College, she studied Spanish and French at the University of Brussels in the early 1920s. If Valens Lapsley was a pseudonym, then I would look at her as a good candidate as the writer behind the name.
  • "The Tell-Tale Heart" by Edgar Allan Poe (1809-1849).
  • "The Grave Robbers," the second installment of "Weird Crimes" by Seabury Quinn (1889-1969).
  • "Saved from Fiery Death by Locomotive Bell," non-fiction filler by an uncredited author.
  • "$600,000 for Study of Spiritualism," non-fiction filler by an uncredited author.
  • "The Survivor," "A Five-Minute Tale" by Edwin G. Wood (1864-1934). Edwin Goodenow Wood was the brother of Theodore Snow Wood (1877-1940), who had had a story, "People vs. Bland," in the July/August 1923 issue of Weird Tales.
  • "Will Use Tear Gas on Bootleggers," non-fiction filler by an uncredited author.
  • "The Eyrie."
That November issue was the last of 1923. In all, there were eight issues of Weird Tales published in its first calendar year, from March to November 1923. The publication schedule would pick up again in January 1924 and run through the triple-issue of May-June-July 1924. Crisis struck then, and Weird Tales, which came close to dying in mid 1924, returned in November and a thirty-year run under the editorship of Farnsworth Wright (from 1924 to 1940) and Dorothy McIlwraith (from 1940 to 1954). And of course Weird Tales is still in print in 2023, its centennial year.


Original text copyright 2023 Terence E. Hanley

Sunday, October 29, 2023

"The Eyrie," October 1923

There are only a few letters in the October 1923 issue of Weird Tales, but some are long. H.P. Lovecraft (1890-1937) wrote again for the second time in two months. There are three excerpts from his long letter in this issue, including his first verse published in Weird Tales. Letter writers were:
  • An Old Fashioned Woman of Hayward, California, a discerning reader with a good memory who noticed the similarity of:

"The Invisible Terror" by Hugh Thomason (dates unknown) in Weird Tales, June 1923, to "The Damned Thing" by Ambrose Bierce (1842-1914?), which was reprinted in Weird Tales in September 1923;

"The Gray Death" by Loual B. Sugarman (1894-1965) in Weird Tales, June 1923, to "The Silver Menace" by Murray Leinster (1896-1975) in The Thrill Book, September 1 and September 15, 1919; and

"Penelope" by Vincent Starrett (1886-1974) in Weird Tales, May 1923, to "Phoebe" by O. Henry (1862-1910) in Everybody's Magazine, November 1907.

  • J. L. of Jersey City, New Jersey.
  • Joel Shoemaker (1862-1937) of Seattle, Washington. Called "Reverend," he was an Indian fighter, newspaperman, politician, public speaker, and conservationist. A month after his letter was published, Shoemaker got into a tussle with Morris S. Brown, Seattle's "tallest policeman," who was trying to kidnap Shoemaker's three-year-old grandson, Billings Brown. Shoemaker's daughter, Mrs. Nannie S. Brown, fired a pistol at her ex-husband, while Joel Shoemaker "belabored his victim with an old hickory cane he has carried for 30 or 40 years." Brown should have known better than to mess with an old Kentuckian carrying a hickory cane, or with that old Kentuckian's wife, Luella Billings Shoemaker, who "rushed" the pistol to her daughter, ready for the firing. You can read all about it in "Brown Facing Prison Term" in the Seattle Star, November 28, 1923, page 3.
  • Lee Torpie of San Francisco, California.
  • Dr. Henry C. Murphy (1862-1932) of Brooklyn, New York. He was a long-practicing medical doctor whose father was also a medical doctor. In response to his letter, editor Edwin M. Baird wrote:

The foregoing was written by Dr. Henry C. Murphy of Brooklyn; and, before we comment upon it, we rise to remark that WEIRD TALES seems to offer a special appeal to physicians and surgeons. They like to read our sort of stories, and they like to write 'em. There is scarcely a day that we don't get at least one weird story written by a doctor. Doctors, it seems, encounter some weird adventures.

I have written before about medical doctors. Very often, my writing about doctors has gone along with my writing about psychopaths and serial killers. Click on the menu items on the right to read more.


H.P. Lovecraft started out the year 1923 with the publication of his serialized novelette "The Lurking Fear" in the magazine Home Brew. The Internet Speculative Fiction Database lists nine issues of Home Brew, five published in 1922 and four in 1923. "The Lurking Fear" ran in all four of the issues for 1923, from January through April.

I wondered the other day whether "Dagon" was Lovecraft's first illustrated story in
 a national magazine. I guess it depends on what you think of as a national magazine, but "The Lurking Fear" in Home Brew was also illustrated, by Clark Ashton Smith of all people.

Home Brew was edited and published in New York by George Julian Houtain (1884-1945) and his second wife, Elsie Dorothy (Grant) McLaughlin Houtain (1889-?). They were members of the National Amateur Press Association (NAPA), and she served as the second female president of the organization. I have always thought of Home Brew as an amateur publication and, as such, not a national magazine. On the other hand, "America's Zippiest Pocket Magazine" was available as far west as Cincinnati.


I have read a reference to Home Brew that it was discontinued in 1924. Lovecraft was published in its pages in 1922-1923. Weird Tales must have come along at just the right time for him. "The Lurking Fear," by the way, was reprinted in Weird Tales in June 1928.

Note the blurb on the cover regarding CAS: "the Artist Who Illustrated Edgar Allan Poe."

Original text copyright 2023 Terence E. Hanley

Thursday, October 26, 2023

Weird Tales, October 1923

The October 1923 issue of Weird Tales has fourteen stories, three features, and five uncredited non-fiction fillers. The features are "The Eyrie," "The Cauldron," and "Weird Crimes." The cover story is the first part of a two-part serial called "The Amazing Adventure of Joe Scranton" by Effie W. Fifield. The cover art was by R.M. Mally and all of the interior illustrations by William F. Heitman. Firsts include the first stories in Weird Tales by Seabury Quinn, H.P. Lovecraft, and Frank Owen, also the first installment of the feature "Weird Crimes" by Quinn.

  • "The Amazing Adventure of Joe Scranton," part one of a two-part serial by Effie W. Fifield (1857-1937).
  • "Aged Man Kills Wife, Self and 'Other Woman'," uncredited non-fiction filler.
  • "World Ice to Wipe Out Continents," uncredited non-fiction filler.
  • "Sight Without Eyes," uncredited non-fiction filler.
  • "Genoese Riviera Damaged by Waterspout," uncredited non-fiction filler.
  • "The Man Who Owned the World" by Frank Owen (1893-1968). This was Frank Owen's first story for Weird Tales. The title is of course in the now familiar form of "The Man Who . . .".
  • "Grey Sleep" by Charles Horn (dates unknown).
  • "The Sign from Heaven" by A. Havdal (dates unknown).
  • "The Inn of Dread" by Arthur Edwards Chapman (1898-?).
  • "The Hairy Monster" by Neil C. Miller (1898-1975) of Sioux City, Iowa.
  • "Devil Manor" by E. B. Jordan (dates unknown).
  • "The Case of the Golden Lily" by an Irish-Welsh-English author, Francis D. Grierson (1888-1972). Known for his mystery, crime, and detective stories, Grierson wrote in "The Case of the Golden Lily" of his series character Paul Pry.
  • "Bluebeard" by Seabury Quinn, the first in a non-fiction series called "Weird Crimes."
  • "Weird Snake Dance of Hopis May Be Tabooed," uncredited non-fiction filler.
  • "An Adventure in the Fourth Dimension" by Farnsworth Wright (1888-1940). "An Adventure in the Fourth Dimesnion" is an alien invasion story. It appears to have been influenced by Flatland: A Romance of Many Dimensions by Edwin Abbott (1884), also by recent developments in Einsteinian physics. Wright's aliens are depicted (see below) as small and with pointed ears, not very much different from the so-called gray aliens of today. That makes me think that gray aliens are really just an iteration of the elves, brownies, and other little people of European folklore. Of course I'm not the first person to think that way. Reprinted in The Moon Terror in 1927.
  • "After the Storm" by Sarah Harbine Weaver (1880-1965), a writer of Ohio, New York, and California.
  • "The Eyrie."

Weird Tales, October 1923, with a cover story, "The Amazing Adventure of Joe Scranton" by Effie W. Fifield and cover art by R.M. Mally.


Text copyright 2023 Terence E. Hanley

Friday, October 20, 2023

Gertrude M. Barrows Bennett (1883-1948)-Part Seven

Photographs & Misconceptions

There have been misconceptions and inaccurate pieces of information about Gertrude Barrows Bennett for a very long time now. Our use of the Internet was supposed to have taken care of these things. Instead, bad information spreads like wildfire, while the facts lag far behind. Maybe facts--and ultimately truth--are analog rather than digital.

Birth Year
I'll start with her birth year. It was 1883, not 1884. The Minnesota state census of 1885 made that clear. Wikipedia is wrong.

Middle Name
Next is her middle name. Some people think it was Mabel, and some Myrtle. I used Mabel for a while, but that was based only on what others had written before me. I haven't found any record showing her actual middle name. For all we know, it could have been Minnesota, the place of her birth.

There is this, though: in looking for Mabel Barrows in Minnesota, I came up empty, except for several articles about an actress and stage director named Mabel Hay Barrows (1873-1931). But in looking for Myrtle Barrows, I found two articles mentioning a girl at just the right age and in just the right place for her to have been our subject:

In the 1890s and into the early 1900s, the Minneapolis Journal had a feature called "Journal Juniors." The idea, I think, was for young readers to submit their drawings and essays to the newspaper in hopes of winning prizes. On May 16, 1896, the Journal announced the winners of a drawing contest. Young Myrtle Barrows won honorable mention. Her drawing was not shown. We should note here that Gertrude Barrows had wanted to become an artist but was forced to go to work as a stenographer in order to support her mother following the death of her father and her two brothers. On June 5, 1896, "Journal Juniors" listed the winners of an essay contest on "The History of a Patched Garment." Myrtle Barrows of 1005 University avenue SE, a pupil at Marcy school, won third place in that contest. Gertrude Barrows was of course a writer. If she was a writer in adulthood, why not also in childhood? Anyway, later that year, at Christmastime, Gertrude Barrows' brother, Reginald Barrows, shot himself, and so any happy times in the Barrows family may have come to an end, at least for a while.

So was the Myrtle Barrows of that spring season in 1896 simply Gertrude Barrows, then aged twelve, going by her middle name? It all seems to fit, but I can't say for sure. By the way, the band Marcy Playground is named after Marcy school.

Parents' Death Dates
Gertrude Barrows' father, Charles A. Barrows, died in 1892, not at around the time of World War I. It was her mother, Caroline "Carrie" Pierson (Hatch) Barrows, who died at that time, on August 10, 1918, to be exact.

First Husband's Name
Gertrude's first husband was named Charles Montgomery Stuart Bennett, sometimes C.M. Stuart Bennett or just Stuart Bennett. His name was not Stewart Bennett. Once again, Wikipedia is wrong.

Lovecraft & Merritt
Augustus T. Swift was not H.P. Lovecraft writing under a pseudonym. He was actually his own person. People have claimed that Gertrude Barrows, writing under her nom de plume Francis Stevens, was an influence upon both Lovecraft and A. Merritt or that they were admirers of her work. I haven't seen any evidence of that. I wouldn't say that there isn't any evidence. It's just that I haven't seen it. I kind of doubt that anybody has. In his introduction to The Heads of Cerberus, Lloyd Arthur Eshbach wrote: "Gertrude Bennett, by the way, was an admirer of A. Merritt." (Dover, 2014, p. 15.) So maybe the admiration went the other way around, at least at first.

Religion
Gertrude Barrows Bennett was almost certainly a Christian. There is strong evidence in her work for such a conclusion, especially in "Serapion" and "The Citadel of Fear." That she was a Roman Catholic, as I have speculated, is far less certain. Two of her heroes, Terence "Terry" Trenmore in "The Heads of Cerberus" and Colin O'Hara in "The Citadel of Fear," are Irish Catholics. That's about all of the evidence that I have for my speculation. In any case, it's clear that she was not a nihilist. In fact, she made a nihilist, Archer Kennedy, her human villain in "The Citadel of Fear," one of her most powerful and insightful works. Kennedy shouts, "I worship nothing! Do you understand me? Nothing!" If Gertrude Barrows Bennett was a nihilist, why ever would she have made one of her worst villains a person of that idiotic creed? 

Gertrude's maternal grandparents, Charles Hatch (1808-1850) and Clymene (or Clymena) Rebecca (Pierson) Hatch (1813-1899), came out of the "burned-over district" of central and western New York State during the Second Great Awakening in America. Charles Hatch was an abolitionist. Abolitionism in America was, to be sure, a Christian movement. I don't know anything about the religion of Gertrude Barrows' parents, but the body of her mother, Caroline, was cremated and interred at what is now Chelten Hills Cemetery in Philadelphia. I take that as evidence that she was not Catholic, but then I never thought that she was. More likely, she and her husband were Protestants, possibly in a mainstream denomination, but then again, maybe not.

Finally, Gertrude Barrows Bennett's only child, Josephine Christy Bennett, later Constance B. "Connie" Wilson Osborne (1910-2001), was a member of Self-Realization Fellowship in California, World Unity-England, and Edgar Cayce's Association for Research and Enlightenment (A.R.E.) of Virginia Beach, Virginia. I can't say that these are religious institutions, but they are or may be, in one way or another, associated with religious or spiritual belief systems. So maybe there was searching in the Hatch and Barrows and Bennett families, a kind of treasure-hunting that led them from one end of the country to the other. Constance Bennett remained in her native state, Pennsylvania. Gertrude Barrows Bennett, on the other hand, finally made it to California, the Golden State, that land of milk and honey, finally completing the journey that her grandfather had begun fourscore years before her, a journey that came to grief near the banks of a lonely Wyoming river.

* * *

There are things that are factual and things that are not factual. Nonfactual things can be lies, but they may also be merely inaccurate or incorrect. The Internet is full of nonfactual things. We all saw that for ourselves the other day when American and European media unquestioningly repeated a horrific lie--a kind of blood libel--regarding the murder in Gaza of hundreds of people by a bunch of terrorists, their coreligionists. Even the next day, even when the whole world knew better, National Public Radio (NPR), which is basically a fount of lies, by commission and omission, was calling it a "bombing." There was no bombing. Those poor people were killed by an errant rocket meant to murder Jews. NPR and everyone else who repeated and peddled that lie ought to be ashamed of themselves. But we live in world without shame, embarrassment, remorse, or regret, and so the whole lot of them go blithely on . . . on to the next lie. Gaza, by the way, is from a Hebrew word. Tell us all again who was there first.

So there is the factual versus the nonfactual. Then there are opinions and interpretations. A person can say (as Wikipedia does) that Gertrude Barrows Bennett "has been credited as having 'the best claim at creating the new genre of dark fantasy'." It's not factual to say that she created so-called "dark fantasy." It's also not nonfactual. It's really just an opinion or an interpretation. I think it's actually a misreading and misinterpretation of her work, but that's my opinion. But I can also say that that specific claim, originally made by Gary Hoppenstand, is internally contradictory, to wit: in his introduction to The Nightmare and Other Tales of Dark Fantasy by Francis Stevens (University of Nebraska Press, 2004), Dr. Hoppenstand wrote:

Dark fantasy is nihilistic fiction in its prediction (directly or indirectly) of a terrible end to our world that we inhabit in blissful ignorance. (p. xxiv)

If dark fantasy is nihilistic fiction, and Francis Stevens did not write nihilistic fiction, then Francis Stevens did not invent dark fantasy. QED. Beyond that, as I've already pointed out and as everybody ought to know by now, dark fantasy was not named until late in the twentieth century, it has not been adequately defined by anybody, and there isn't any wide acceptance of any particular definition of that term, or even whether there is such a thing. For example, the online Encyclopedia of Science Fiction doesn't even have an entry on this supposed genre or sub-genre or sub-sub-genre of fantasy fiction. Although, in his definition, Dr. Hoppenstand echoed H.P. Lovecraft in "The Call of Cthulhu"--"our world that we inhabit in blissful ignorance"--I would say that it's more likely that he, Gary Hoppenstand, invented dark fantasy, and not anybody else, least of all Francis Stevens. He, after all, has defined it and described it. It's his genre. Or sub-genre. Or sub-sub-genre. We should note that Dr. Hoppenstand dedicated his book to Karl Edward Wagner, one of the namers and I guess practitioners of what is called "dark fantasy." Wagner was a nihilist. The other namer of dark fantasy, Robert M. Price, is an atheist. I don't know where Dr. Hoppenstand stands.

Anyway, all of this looks to me like an exercise in resume-building, with the resume-builder trying to get all of the rest of us to go along with his own interpretations. On top of that, I would call it a pretty bad misreading and misinterpretation of Francis Stevens' fiction, misreading or misinterpretation being perhaps the first sin of the literary critic. And I would say that Dr. Hoppenstand's introduction as published should never have gotten by his editor, so the University of Nebraska Press is also at fault. I suspect that his introduction was never peer-reviewed, as papers are in the sciences. (Even the sciences are a wreck these days.) But I guess that if you're a professor in the liberal arts, your expectation is that you can put out anything you want and people will go for it because, being an academic, you're "an expert" in your field.* Or at least the people at Wikipedia will go for it. But at least Dr. Hoppenstand did the good work of assembling Francis Steven's stories and at least the University of Nebraska Press issued them in an affordable edition. We should be thankful to both of them for that.

-----

*As people say, full disclosure: I'm a graduate in the liberal arts, too.

* * *

The nonfactual claims about Francis Stevens keep rolling in. There are more regarding her photographic image, if there actually is one in existence:

This is NOT Gertrude Barrows Bennett. This is actually a photograph of Joy Bright Hancock (1898-1986), taken in February 1918, coincidentally in the same year that Gertrude's story "Friend Island" was published in The Argosy. Joy Bright Hancock attended school in Philadelphia. During World War I, she enlisted in the U.S. Navy as a Yeoman (F), (F) for female. This picture has appeared on the Internet in association with "Friend Island," I guess because it shows a woman in the navy.

This is NOT Gertrude Barrows Bennett. Instead it's a picture of the American movie actress Gertrude Bennett (1899-1985). A different picture of her appears on the front cover of a "book" published in 2020. The subtitle of that book repeats the misconception that Francis Stevens invented "dark fantasy." I have altered this image from the original that I found on the Internet.

Here's another image of the actress Gertrude Bennett, this one on a cigarette card.

On October 7, 2023, Kevin L. Cook left a long and very informative comment on this blog under the second part of this series on Gertrude Barrows Bennett. Mr. Cook wrote: "First, the two common published photographs of Mrs. Bennett were supplied by her daughter, Constance Osbourne, to Robert Weinberg in 1988." Unfortunately, I don't know exactly what two photographs he was referring to. I can only assume that they are the ones shown above and below. You can find both on the Internet. As far as I can tell, none of the sources of these images gives an original source or provenance for them. So are they of Gertrude Barrows Bennett? I don't know. You'd think we would know for sure. And you'd think that we would have better, larger, and higher-quality images than those shown here. But we don't. So I will remain skeptical until someone can come up with some good supporting evidence. Whoever has Robert Weinberg's papers is a place to start. A member of Gertrude's or Constance's family would be another.

In any case, the image above is obviously older than the one below. I base this on the dress. They may or may not be of the same woman. It's hard to tell. If the image above is of Gertrude Barrows, I would guess that it's a graduation picture, possibly from around 1900 or 1901. Unfortunately, we don't know where she went to high school, nor whether she went to some kind of business school. Either way, it would almost certainly have been in Minneapolis.

Here is the image that appears on the Internet Speculative Fiction Database. The source is a Russian website. So why do Russians have the better or more likely image of Francis Stevens? Don't ask me. This world is full of mysteries. Anyway, judging from the dress, especially the hat, I would guess that this picture was taken as early as the World War I years, possibly in the 1920s, and possibly as late as about 1930. If this is Francis Stevens, is she looking to the west? Towards California and the place in the Lower Forty-Eight where you can watch the sun set over the encircling sea?

Original text copyright 2023 Terence E. Hanley

Tuesday, October 17, 2023

Gertrude M. Barrows Bennett (1883-1948)-Part Six

Conclusion

Charles Montgomery Stuart Bennett (1874-1910) was supposed to have been a writer for magazines. Maybe a shared interest in writing is how he and Gertrude M. Barrows (1883-1948) met. I have looked for his name in The FictionMags Index and have come up empty. I have also looked for different versions of his name and found an author named Charles Stuart who wrote several stories published in British story magazines in 1910-1911. Was he our man? Who can say?

Gertrude M. Barrows wrote a story under her own name published in 1904. As far as anyone knows, she did not have another of her stories published until 1917, and then only under the pseudonym Francis Stevens. Could she have collaborated with her husband in the time in between? Or if he was an author of stories for magazines, could she have actually been his ghostwriter?

In his introduction to The Heads of Cerberus by Francis Stevens, Lloyd Arthur Eshbach wrote: "He [C.M. Stuart Bennett] had been a newspaper reporter, a fact which probably led his widow to contribute feature articles to the newspaper" (Dover, 2014, p. 14). What newspaper? And if she wrote feature articles for newspapers, is that how she could have met A. Merritt (1884-1943), who worked as a journalist at the Philadelphia Inquirer and The Sunday Supplement and/or The Sunday American Magazine, forerunner to The American Weekly, of which he was later the editor? Again, who can say?

Speculations . . .

* * *

One of the themes in the fiction of Francis Stevens is that of old gods returning to earth after having been banished for many centuries, if not millennia. Her stories with this theme and the gods in them are:
These are dark gods, but they do not triumph in the end. For them to have triumphed would have been uncharacteristic of Francis Stevens, whom I feel certain did not work in the ill-defined, late-twentieth-century sub-genre or sub-sub-genre of dark fantasy. If you're looking for a triumphant old god, see Cthulhu in Strange Eons by Robert Bloch (1978). By the way, The Exorcist (1973), fifty years old this year, also involves the theme of the return of an old god, in this case the ancient Mesopotamian deity Pazuzu. Both "Serapion" and The Exorcist are about demonic possession.

* * *

Other motifs and recurring themes and settings in the work of Francis Stevens are those of treasure hunting, shipwrecks, and islands. Francis Stevens' stories in that vein include:
In "Friend Island," there is an Ancient Mariness who tells her tale and about her relationship with the eponymous island, which is actually a living being. I wonder if Gertrude Barrows Bennett could have known one of her husband's other wives, Marie La Ton (ca. 1886-?), who was a boat pilot and went with C.M. Stuart Bennett on one of his treasure hunting expeditions to the Carolina coast. If the Ancient Mariness was based on Marie La Ton, then maybe she comes by her feelings about men naturally, as Bennett seems to have been a real scoundrel, specifically when it came to women.

There is a group of treasure hunters in "Sunfire," Francis Stevens' only story in Weird Tales. Here I wonder if one of them could have been a portrait of her drowned husband. There would have been precedent for such a thing in fantasy and science fiction: I think of Victor Frankenstein as having been based in part on the authoress' husband, Percy Bysshe Shelley (1792-1822). He drowned, too, by the way, probably also by misadventure.

* * *

I first wrote about Francis Stevens on March 10, 2015. In that posting, I listed her stories, the titles of the magazines in which they were published, and their dates of publication. Her career as a published author lasted a scant six and a half years, from 1917 to 1923, with a prior story having been published in 1904. This is the 100th anniversary year of the close of her career, which came when she was just forty years old. Francis Stevens' stories were rediscovered in the 1940s, though, and were reprinted during that decade, from January 1940 to November 1949 and as late as September 1950, in various pulp magazines. A. Merritt is supposed to have had a hand in that. The last two reprints were posthumous.

The writer behind the pseudonym, Gertrude Barrows Bennett Gaster, last wrote to her daughter, Constance Bennett Wilson, on September 1, 1939, coincidentally the day that Nazi Germany invaded Poland, thus setting off World War II. Thus also, Francis Stevens' stories were first published during World War I and in its aftermath, then published again during World War II and in its aftermath.

Gertrude Gaster lived in California during the 1940s, all or most of that time in San Francisco. If she was paid for her work, then payments would presumably have gone to her at her home in the Golden State. Would any payments made after her death, which came on February 2, 1948, have gone to her husband, Carl F. Gaster? Or to her daughter?

More speculations.

It appears that in writing his introduction to The Heads of Cerberus, Lloyd Arthur Eshbach was in contact with Constance, whom he called "Connie," quotation marks included. The whereabouts of Gertrude Gaster were then unknown, and only Connie could have told him the details of her mother's writing habits or about where and how they had lived in her childhood. Eshbach wrote that the stories of Francis Stevens have "a strong leaning toward the mysterious" (Dover, 2014, p. 13). She seems to have had the same kinds of leanings in her own life, for why ever would she have remained out of contact with her daughter for her last nine years on this earth? Did Constance see that her mother's stories were once again in print during the 1940s? Could she have tracked down Gertrude by going to the editors or publishers of the magazines that did the reprinting? And did Gertrude herself see that her stories were once again in print? Then in her fifties and sixties, could she have taken some final pride and satisfaction in that?

A last coincidence: Lloyd Arthur Eshbach's introduction to The Heads of Cerberus was dated February 1952, the same month in which Gertrude's widower, Carl F. Gaster, was found dead in his home on the other side of the country, in Portland, Oregon.

* * *

I have one more part in this series, inspired by a comment from a couple of weeks ago made by one of the readers of this blog.

* * *

Francis Stevens' Story in Weird Tales
"Sunfire" (two-part serial, July/August-September 1923)

Further Reading

  • "Introduction" to The Heads of Cerberus by Francis Stevens, introduction by Lloyd Arthur Eshbach. I have the Dover edition from 2014.
  • "The Woman Who Wrote 'Citadel of Fear'" by Sam Moskowitz, his introduction to The Citadel of Fear by Francis Stevens (Paperback Library, 1970).
  • The Nightmare and Other Tales of Dark Fantasy by Francis Stevens, edited and with an introduction by Gary Hoppenstand (2004).
  • "Navigating the Weird Mind of Gertrude Barrows Bennett--the Mother of Dark Fantasy (pt. 1)" by Taylor, on the website Fandomentals, March 19, 2020, at the following URL:

Taylor's title repeats what I see as a misreading and misinterpretation of Francis Stevens as the inventor of what is called dark fantasy.

  • "Fantascienza, un genere (femminile). Gertrude Barrows Bennett, alias Francis Stevens" by Laura Coci, on the website Vitaminevaganti, December 5, 2020, at the following URL:

  • There are other websites and blogs that discuss Francis Stevens, some of which are Italian. It looks as though she and her works are of special interest to Italian fans and researchers. 

"The Funeral of Shelley" by Louis Édouard Fournier, 1889.

Original text copyright 2023 Terence E. Hanley

Saturday, October 14, 2023

Gertrude M. Barrows Bennett (1883-1948)-Part Five

Second Husband

Gertrude M. Barrows Bennett's second husband was Carl Franklin Gaster (1892-1952). He was born on November 7, 1892, in San Luis Obispo, California, to George Reed Gaster (1857-1916) and Rachel Isabel (Packwood) Gaster (1857-1927). Carl F. Gaster grew up on his parents' farm in Santa Barbara County, California. In 1900, he was in San Francisco with his parents, then, in 1910, in the household of his aunt, Eliza Scott. At age twenty-seven, Gaster had already been married and divorced.

Rather than write a narrative about Gaster's life and career, I'll just give some bullet points:

  • In 1911, in Vallejo, California, Gaster stole from a man in an adjoining hotel room. He was arrested and put on probation.
  • In 1917, he was a locomotive inspector with the Southern Pacific Railroad Company.
  • In 1917, Gaster lived in San Francisco with his wife, Minnie Gaster.
  • On November 21, 1919, Gaster applied for a seaman's certificate with the U.S. Department of Commerce. He had by then graduated from the U.S. Shipping Board Marine Engineering School.
  • In 1920, Gaster lived in San Francisco and worked as a marine wiper. Once again, he was divorced.
  • In March 1927, Gaster was arrested in Bellingham, Washington, for drunken larceny and illegal possession: he had stolen some bedding from a hotel while drunk.
  • Gaster was otherwise employed from June 22, 1921, to July 5, 1927, as a 3rd assistant engineer, 2nd assistant engineer, and junior engineer aboard various oceangoing vessels.
  • On March 27, 1930, Gaster was enumerated in the U.S. Census of merchant seamen. He was occupied as a 4th assistant engineer and based at Bayonne, New Jersey. His unnamed wife was in Merced, California. Twelve days later, on April 8, 1930, Gertrude Bennett, widowed, was enumerated in Mill Valley, California, where she was working at a trucking (?) company. So it looks like the two had not yet married.
  • In 1933, Carl F. Gaster and his wife Gertrude were living in San Francisco, thus they must have married in the period 1930-1933. In 1933, Gertrude Barrows Bennett Gaster turned fifty years old. Her new husband turned forty-one that year.
  • On June 12, 1938, Gaster wrote to U.S. Local Inspector of Boilers in San Pedro, California, requesting a record of his sea service. He explained that he needed that record in order to apply for a civil service job. He wrote with a return address of 642 9th Avenue, Prospect Park, Pennsylvania. Two years later, on April 16, 1940, Gertrude Barrows Bennett's daughter, then going by the Christian name of Constance and her married name of Wilson--Constance Wilson--was enumerated at that same address with her husband Walter Wilson and their children. So I wrote the other day stating that Gertrude and her daughter presumably never lived together again after the 1920s, but did they after all? On the other hand, a return address and a residence are not necessarily the same thing. In any case, Gertrude and Constance were presumably still in contact with each other as of June 1938. That same year, Gertrude Gaster was listed in the Sacramento, California, city directory, working in that city as a stenographer. According to Lloyd Arthur Eshbach in his introduction to The Heads of Cerberus, she wrote a final letter to her daughter from California on September 1, 1939, promising a longer one. It was either never written, never sent, or never arrived. I have not found either Gertrude Gaster or her husband in the census of 1940. She was very near to disappearing from the earth.
  • On September 10, 1940, Carl Gaster arrived in New Orleans from Aruba, Dutch West Indies. He was then working as a machinist on board the Esso Bayway.
  • In 1942, Gaster was in U.S. Army Transport (U.S.A.T.) Service at Fort Mason in San Francisco, afterwards with the Hawaiian Dredging Company in Honolulu, Hawaii. His wife was Gertrude Gaster, who had an address of 1351 Ellis Street, San Francisco.
  • On November 21, 1944, Gaster arrived in Los Angeles from Honolulu on board the Makiki.
  • From February to May 1947, Gaster appears to have made a trip by sea from Honolulu to Shanghai and back.
  • Gertrude M. Barrows Bennett Gaster died on February 2, 1948, in San Francisco. It looks like she was Gaster's fourth wife.
  • In 1952, Gaster worked as a Merchant Marine fireman.
Finally, on February 26, 1952, the body of Carl Franklin Gaster was found at 216 NW 3rd Avenue, in Portland, Oregon. He was fifty-nine years old at his death. He had a blood alcohol level of 0.13. A complete autopsy also found that there was "[m]arked coronary arteriosclerosis." However, no cause of death was found. There is also no indication of how long his body may have lain undiscovered. Both he and his wife died in the same month of the year, in February, and so he followed her to the grave shortly after the anniversary of her death.

Carl F. Gaster was buried at Greenwood Hills Cemetery in Portland, Oregon.

To be continued . . .

A photograph and physical description of Carl Franklin Gaster, from his application for seaman's certificate, November 21, 1919. Out of all of the principals in the life of Gertrude Barrows Bennett--herself, her parents, her brothers, her first husband Charles M. Stuart Bennett, her daughter--only Gaster is represented on the Internet with a photographic image.

Text copyright 2023 Terence E. Hanley